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Why zactrack and Ayrton’s Diablo were essential to Peter Small’s design for 58th Street

Why zactrack and Ayrton’s Diablo were essential to Peter Small’s design for 58th Street

Designing light for an immersive jazz club is a very different challenge to lighting a traditional stage. In 58th Street, the audience step out of a back alley and straight into a fully realised 1940s nightclub – chandeliers, cigarette haze, live band, roaming performers and a world that never quite “stops” for the sake of a cue.

The BFG: The Journey to Giant Country

The BFG: The Journey to Giant Country

LSi’s Ian Cullen visits Chichester Festival Theatre to discover how Roald Dahl’s classic story, The BFG, has been brought to life on stage.

Grease: The Immersive Movie Musical – Q&A with Howard Hudson

Grease: The Immersive Movie Musical – Q&A with Howard Hudson

Ambersphere recently had the chance to visit Grease: The Immersive Movie Musical to see how lighting designer Howard Hudson and his team used zactrack and grandMA3 to bring this ambitious production to life. Set across a vast 50,000-square-metre space, the show blends film, live theatre, and audience interaction in a truly immersive way.

zactrack in control for Guys and Dolls

zactrack in control for Guys and Dolls

A zactrack PRO system is integrated with the lighting and sound control for Nicholas Hytner’s acclaimed stage production of Guys and Dolls, currently running at the Bridge Theatre in London.

zactrack for Newsies and The Bodyguard

zactrack for Newsies and The Bodyguard

Two UK theatre musical productions, “Newsies” and “The Bodyguard”, have been using a zactrack SMART system for lighting.

zactrack looks forward to the future

zactrack looks forward to the future

zactrack looks forward to the future Back To The Future, Alan Silvestri and Glen Ballard’s popular musical is taking London’s West End by storm, bringing the adventures, thrills and spills of Marty McFly, Doc Brown and a classic DeLorean car to life as they tumble...