Lighting Designer Dan Norman of Silent House used 72 Ayrton Veloce Profiles designed for large spaces and 76 Domino LT luminaires created for long-throw applications requiring high precision on Shakira’s “Las Mujeres Ya No Llloran World Tour.”
Xena Adam
SLX bring Ashridge House Illuminated to life with Ayrton
Ashridge House Illuminated is Hertfordshire’s biggest light trail, and for the second year running, B Corp production company SLX was in charge of bringing the magic to life. We spoke to project designer and curator Alex Keighley about putting the display together, and how Ayrton fixtures helped him achieve his vision.
Ben Inskip shines with NEO FX and grandMA3 for Pendulum
Electronic band Pendulum brought their unique blend of electronic music and rock to London last month, and lighting designer Ben Inskip used ROXX Neo FX and grandMA3 to create an unforgettable night. We sat down with him to talk about his work on the show…
Grant Anderson lights up GlasGLOW with Astera & Ayrton
Produced by Itison Events, GlasGLOW has quickly become the UK’s biggest and most exciting Halloween event since its inception in 2018. The trail takes visitors down a beautifully illuminated trail through Glasgow’s Botanic Gardens, complete with a gourmet street food village. We spoke to Grant Anderson, the lighting designer behind the magic…
zactrack and Ayrton support Jeff Croiter’s dynamic lighting for Hercules the Musical in the West End
Ambersphere Solutions is proud to highlight the lighting design behind Hercules the Musical, now playing in London’s West End, where lighting designer Jeff Croiter has created an energetic and story-focused visual world with a full suite of Ayrton fixtures and a comprehensive zactrack SMART tracking system.
Sam Parry throws some shapes with Ayrton for Busted vs McFly Tour of UK & Ireland
A major focal point of the set, which needed to work equally for both bands, was a large overhead grid of 4 square lighting pods, each of which housed 25 Ayrton Zonda 9 FX fixtures in a 5×5 matrix.
Lighting the Drama: How Max Conwell used Astera and MA Lighting to achieve ITV’s The Inner Circle’s signature look
ITV’s Inner Circle demanded a lighting design that could shape tension, guide the viewer and support the show’s bold circular aesthetic. Max Conwell created a visual style that shifts fluidly with the game; from warm and welcoming to sharp and strategic, ensuring the lighting became a natural extension of the storytelling.
Ayrton releases EagleStrike – its new ultra-powerful followspot for the biggest venues
Ayrton is extremely excited to launch its new, ultra-powerful followspot, EagleStrike, designed for maximum output, speed and precision in stadiums, arenas, major events and other extraordinary venues.
Angus Cha weaves his magic with Ayrton fixtures for Cambridge European Theatre Group’s A Midsummer Night’s Dream
Lighting designer and programmer, Angus Cha, and production electrician, Chris Wordsworth toured with 6 Ayrton Rivale Profiles and 4 Ayrton Zonda 3 Wash fixtures as their critical workhorse fixtures.
Grease: The Immersive Movie Musical – Q&A with Howard Hudson
Ambersphere recently had the chance to visit Grease: The Immersive Movie Musical to see how lighting designer Howard Hudson and his team used zactrack and grandMA3 to bring this ambitious production to life. Set across a vast 50,000-square-metre space, the show blends film, live theatre, and audience interaction in a truly immersive way.
Ambersphere at Reading Festival 2025
Festival season might be behind us, but we’re still buzzing from this year’s Reading Festival! It was great to catch up with our friends at Neg Earth Lights and see so much of our kit dominating the main stage.
Ayrton launches MagicDot Neo – A New Creative Sphere
Ayrton is excited to announce the launch of MagicDot Neo, the ultimate evolution of its MagicDot family of fixtures and the latest addition to its IP65 Creative Series. Extremely compact, lightweight, ultrafast and powerful, MagicDot Neo is a meticulously crafted cylindrical luminaire with a unique design, featuring a 100mm lens seamlessly set within a perfect sphere.